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dc.contributor.advisorNossen, Roberten_US
dc.contributor.authorEge, Mary Paul O.S.B.en_US
dc.date.accessioned2019-01-04T17:14:47Z
dc.date.available2019-01-04T17:14:47Z
dc.date.issued1951en_US
dc.identifier.urihttp://hdl.handle.net/10504/120899
dc.description.abstractIf the characters in Shakespearean drama were marionettes pulled about by the strings of heredity and environment as are the literary creatures of Gorki, Strindberg, and Zola, to propose such a study as this would indeed be an absurdity. In general, the sense of moral responsibility is lacking in much of the literature of the past century. Not so in the drama of Shakespeare, which artistically presents ethical standards, sin, acknowledgment of sin, remorse, confession, amendment, and atonement. It is precisely the blatant contrast in awareness of morality between modem literature and the works of the great Elizabethan playwright which has prompted the following consideration of repentance in Shakespeare's plays.en_US
dc.language.isoen_USen_US
dc.publisherCreighton Universityen_US
dc.rightsA non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above.en_US
dc.subjectShakespeareen_US
dc.titleAspects of Repentance in Shakespeare's Playsen_US
dc.typeThesis
dc.publisher.locationOmaha, Nebraskaen_US
dc.description.noteProQuest Traditional Publishing Optionen_US
dc.contributor.cuauthorEge, Mary Paul O.S.B.en_US
dc.degree.levelMA (Master of Arts)en_US
dc.degree.disciplineEnglish (graduate program)en_US
dc.degree.nameM.A. in Englishen_US
dc.degree.grantorGraduate Schoolen_US


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