dc.contributor.author | Kim, Sol | en_US |
dc.date.accessioned | 2020-11-25T22:21:56Z | |
dc.date.available | 2020-11-25T22:21:56Z | |
dc.date.issued | 2020 | en_US |
dc.identifier.uri | http://hdl.handle.net/10504/128726 | |
dc.description.abstract | Opening Paragraph|Who needs reasons when you've got heroin? This is the main question that a Scottish drug addict struggles with throughout Trainspotting. Based on the novel by Irvine Walsh, the 1996 British film Trainspotting captures the lives of a group of young heroin addicts during the late 1980s in Edinburgh, Scotland. In a pivotal scene of the movie, Lou Reed's "Perfect Day" plays in the background as protagonist Mark Renton slips peacefully into a heroin overdose shortly after escaping rehab. Renton returns to consciousness bluelipped and gasping for air in the ER after receiving a Naloxone injection. The pleasure depicted in the overdose scene juxtaposes the vile consequences of using heroin. I argue that the narratives within Trainspotting normalize extreme forms of pleasure and disgust through the portrayals of drug use and sex. | en_US |
dc.publisher | Creighton University | en_US |
dc.rights | This material is copyrighted | en_US |
dc.title | Narrative Function of Trainspotting | en_US |
dc.type | Journal Article | en_US |
dc.description.volume | 8 | en_US |
dc.publisher.location | Omaha, Nebraska | en_US |
dc.title.work | Quest: A Journal of Undergraduate Student Research | en_US |
dc.description.pages | 61-72 | en_US |
dc.date.year | 2020 | en_US |
dc.description.issue | 1 | en_US |
dc.program.unit | College of Arts and Sciences | en_US |
dc.contributor.cuauthor | Kim, Sol | en_US |