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dc.contributor.authorKim, Solen_US
dc.date.accessioned2020-11-25T22:21:56Z
dc.date.available2020-11-25T22:21:56Z
dc.date.issued2020en_US
dc.identifier.urihttp://hdl.handle.net/10504/128726
dc.description.abstractOpening Paragraph|Who needs reasons when you've got heroin? This is the main question that a Scottish drug addict struggles with throughout Trainspotting. Based on the novel by Irvine Walsh, the 1996 British film Trainspotting captures the lives of a group of young heroin addicts during the late 1980s in Edinburgh, Scotland. In a pivotal scene of the movie, Lou Reed's "Perfect Day" plays in the background as protagonist Mark Renton slips peacefully into a heroin overdose shortly after escaping rehab. Renton returns to consciousness bluelipped and gasping for air in the ER after receiving a Naloxone injection. The pleasure depicted in the overdose scene juxtaposes the vile consequences of using heroin. I argue that the narratives within Trainspotting normalize extreme forms of pleasure and disgust through the portrayals of drug use and sex.en_US
dc.publisherCreighton Universityen_US
dc.rightsThis material is copyrighteden_US
dc.titleNarrative Function of Trainspottingen_US
dc.typeJournal Articleen_US
dc.description.volume8en_US
dc.publisher.locationOmaha, Nebraskaen_US
dc.title.workQuest: A Journal of Undergraduate Student Researchen_US
dc.description.pages61-72en_US
dc.date.year2020en_US
dc.description.issue1en_US
dc.program.unitCollege of Arts and Sciencesen_US
dc.contributor.cuauthorKim, Solen_US


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  • QUEST
    A Journal of Undergraduate Student Research

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