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dc.contributor.authorO'Neill, Timothy P.en_US
dc.date.accessioned2013-02-18T16:01:30Z
dc.date.available2013-02-18T16:01:30Z
dc.date.issued2004en_US
dc.identifier.citation37 Creighton L. Rev. 471 (2003-2004)en_US
dc.identifier.urihttp://hdl.handle.net/10504/40480
dc.description.abstractINTRODUCTION|1962 was a good year for movies. In fact, two years ago a theater in Los Angeles held a retrospective of 1962 films called "The Greatest Year in Motion Picture History." That year saw Ingmar Bergman release Through a Glass Darkly. Luis Bunuel countered with Viridiana. Alain Resnais produced Last Year At Marienbad. David Lean made Lawrence of Arabia. Francois Truffaut topped this with not one, but two classics: Jules and Jim and Shoot The Piano Player. Tony Richardson matched this with two of his own: A Taste of Honey and The Loneliness of the Long Distance Runner...en_US
dc.publisherCreighton University School of Lawen_US
dc.titleTwo Concepts of Liberty Valance: John Ford, Isaiah Berlin, and Tragic Choice on the Frontieren_US
dc.typeJournal Articleen_US
dc.rights.holderCreighton Universityen_US
dc.description.volume37en_US
dc.publisher.locationOmaha, Nebraskaen_US
dc.title.workCreighton Law Reviewen_US
dc.description.note2003-2004en_US
dc.description.pages471en_US
dc.contributor.cuauthorFiroz, Muhammaden_US


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